SPOTLIGHT KING MELLOW G

No one fits a nickname better than Teyun “Mellow G” Calvert.

Sitting down to talk to the “Soul” of Spotlight Entertainment, and that is according to Spotlight CEO Reggie “P-Nice” Parham, at The Spot, a nightclub owned by Calvert’s fiancé, Stephanie Soto, Mellow G is just that; MELLOW. The rapper exudes cool…until you talk to him.

Once you start a conversation with Mellow, you learn so much about him just from listening to him speak. He is articulate, but vulgar. Intelligent, but crass. Educated, but at the same time, there is a little bit of ghetto that sneaks out in his prose. You aren’t going to pull the wool over his eyes by any stretch.

Mostly because you will never have the chance to.

Like a good chess player, Mellow is always thinking two to three moves ahead of everyone else. It’s one of the main reasons he has so much respect in the game in this area. From P-Nice saying the Mellow is “very vital” to the success of Spotlight, to Spotlight artist J. Irja sending shout outs to him mid-song, it’s no wonder he is called the “King” of Spotlight.

As we sat in The Spot, with his Queen not too far away handling her business, you could tell by the look on his face as he watched her and surveyed his kingdom that it was GOOD to be King.

When did you fall with music?

I have naturally always loved music. So I can’t pinpoint a date on that, but I CAN tell you when I fell in love with rap music. It was the first Tupac album, “2Pacalypse Now”and there was an intro on there that was just a beat. He did a 32 on there that was just flowing, and I played that shit like 72 days in a row. I just couldn’t stop listening to the m***af**kin’ intro. To me, from that point, that has always been my favorite music. Like KRS-One said, hip-hop didn’t INVENT anything, it RE-INVENTED everything, and whatever the f**k that re-invention was, I loved it.

Who are your musical influences?

For the most part the influences are Tupac, Eminem, and NAS.

Describe your music.

I rap my life, so it’s more about the fact that I came up rough, so it’s a little more vulgar than most these days. In the 90’s, I would have fit right in. Now, I think my music is lot harder than most music that’s out. Wait, not harder, but more potent; more than NWA-ish then most these days.

What do you want people to hear in your music?

The power to move on, not matter what you been through. That’s what I want you to hear. That is why I rap my life so much, and still show you what I am doing and continue to do it. I am just letting you know that I could have most definitely gracefully bowed out and be where I should be, which is dead or in jail.

 

You are making a mix tape of your all time favorite songs. What is the first song on it and why?

I would say Tupac, “Ambitionz as a Ridah”. Just because it always gets me in my zone. I mean, it came out in 1996, but I listened to it yesterday, and it still sounds like new hot shit to me.

Best performance you ever gave.

It was at the Rail, a couple years back. I had just gone and gotten my Spotlight King tats on my hands, and I was already on tens feeling myself anyway so…(laughs). We get there, and it’s packed wall to wall in that m***af***a. There were some people on the lineup that I had wanted to compete with and bust they ass, so when I performed, the energy was all the way up. There were so many people in there that already knew my music, and I didn’t know who the hell they was. But they were singing my songs and it was the first show that I had that I was able to grab the mic, put it out to the crowd, and let THEM spit my shit, you know? The was my best performance.

Worst performance you ever gave.

The first performance I ever did. I didn’t know how to perform. I was mostly just moving my arms, and looking at the m***af***kin’ floor for the most part. That shit was horrible.

What are, in your mind, some of the good things about the music scene in this area?

In this area what’s good is that I think there are a few people that have the talent to go all the way. Especially if they continue to get better. There are some cats that I can see at 23 that by 26, 27 most definitely should be super crucial. There are some actually some real good artists around here. A few; not many.

What are some of the things that could be improved?

Talent is only 10% of the game. That is only 10% of what is going to make you successful. Promotions aren’t there. Marketing isn’t there. There is not continued showing of elevation. If people start to get a buzz, they just stay in the same area. But you have to show elevation if you are local artist, an underground artist. To me, your shows should get bigger, in better places, different places, you know what I am sayin’? I see people staying in the same spot.

What would you do if you ran the music scene in this area?

That is a rough one. Cause it comes down to what you can do. Everything I said about marketing and promotion takes money. Its seems like the people with the money don’t know what the f**k to do with it and the people that DO know what to do with it don’t have it. You have to spend that money on marketing and promotion. You have to be willing to say “f**k it, I’m going to get some $4,000 billboards instead of this new whip.” You know what I am sayin’?

One song that describes your life?

Since it is the one song that starts with me being young to getting older, IT would have to be a song a wrote called “Just Ventin’”. That would show my upbringing. The first verse is about me being young and my the second verse is my reaction to that upbringing. I rap my life, though, so you would have to listen to my whole music catalog to really get my life.

 

One artist, alive or dead, that you would want to do a song with?

Eminem.

What was your first concert?

R. Kelly! (laughing)

            You have a quote on Facebook that begins with "To BE is a m***af**ka..."  

 

I think there is a lot of people out there that are ‘People are this, people are that, I wish people would keep it real’ or ‘I’m real’….To me it is just so easy to do that and when you know some of these people personally, or see how they get down..I am comfortable with it because that is who I am. I know a lot of people that LOOK like they are real, or TALK like they are, and most definitely RAP like it, but in the end, they fall short.

Spotlight CEO P-Nice said that you are very vital to Spotlight; the soul of Spotlight. How does that feel.

It feels phenomenal. It’s been a rough road. Been some sacrifices that have been hard, but it no matter what, I stood on it. Even when it came down to it just been me out here, shit still got down and I kept us relevant enough until when we could get back full strength. I am definitely proud of that.

Where did King of Spotlight come from?

From THAT, for the most part (laughing). When P-Nice says I am the soul, it’s the same thing as being King. When shit was at its highest, I celebrated it, and when it was at its lowest, I stood on it like it was at its highest. And when people abandoned ship, I still stood there when shit was burning.

There are beefs in hip-hop. There is beef between your camp and other camps around

here…

That’s not beef, that’s luncheon meat.

…Ok, PLEASE explain that. That is best line I have heard all day…

With beef, it really goes down. There are shoot outs, people get hurt, shit gets hot. It gets to a point where people’s money starts getting low cause there is too much beef going on. My life has not been altered in ONE WAY with these problems that these people have with me. And I am not looking for them because it’s not an issue to me.

What is their problem with you?

I don’t know. They’re a bitch and I ain’t. Some of it is just some weak Facebook shit.

So, with the beef it causes a division in the fan base. How do you fix that?

You don’t fix it. It is just something you deal with. Cause there is nothing you can do. What I do to avoid shit like that is to not start shit. It’s that simple.

 

On Da Right Trak Productions

Today’s Side Note: On Da Right Trak is not just a name; it is a way of doing business.

Under the leadership of Lance “Pee Wee” Arnold, ODRT, as they are known around northeast Wisconsin, has been blazing a path in the local music scene for over a decade, and have shown no signs of slowing down.

Along with Pee Wee, Ken “Kenfolk” Tresvant, Claude Robinson and Anthony “PC” Owens make up the power structure of ODRT. Their goal: To make sure all artists under their umbrella are “on the right track.” Be it a musical track that gets them noticed, or a complete package of an artist trying to get to that next level, the guys at ODRT are working hard to get it done.

From its humble beginnings, it has grown in to a company that encompasses the entire Midwest, and they are making inroads into the south in places like Atlanta. There is the ODRT Street Team; a promotional team that brings national acts like Dorrough and others to the Green Bay Area, and an awarding winning production and DJ service section.

I sat down with Pee Wee in the ODRT studio, where I learned so much about a very talented young man and his friends.

When did you fall in love with music?

1986, my dad was a pastor and had his own church, and I was the drummer. And after church service, I would jump on the piano and organ. And that was the beginning of my love for music.

Who are some of your musical influences?

I had a lot of church heroes. My god-brother was a drummer; my best friend was the choir director and an organ player that played around the world. I really didn’t have many musical influences outside of church.

How did you end up in secular music?

Growing up, I liked all types of music. Jazz, hip-hop, gospel, a little rock. After college, my dad bought me a keyboard, (that was still in the studio in which we did the interview) and brought it all the way to Marinette, WI from Chicago.

How did you end up in Marinette?

My step brother went to Alpena (MI) College, and met his wife, who was from Menominee, MI. They married and moved to Menominee. They didn’t work out, and when I was looking at school, my brother asked me to come help with the kids. Free room and Board? Yeah, let’s roll with it.

Did you study music in college?

No. I don’t know how to read music. Everything is done by ear. Something I have done since I was a kid.

How did ODRT get started?

Getting out of college, picking up the keyboard, just learning how to build a track, is how ODRT got started.  I met up with one of my friends that had a studio in his bedroom. He had a laptop and everything and I thought that was really cool. So I went home and bought ME a laptop and linked it up, and started from there. I did some tracks for a couple of people, and they loved it; Ken and I, (Kenfolk from ODRT) kinda named it together. “You need to get on the RIGHT TRACK”; you know what I’m saying? I don’t want to be the BIG producers like Timbaland and those guys; I want to be the one that started them off.

Describe the music that comes out of ODRT.

The music that comes out of this office is well thought out. It is not just pushed out. Every time you make a track, they are not all hot. I can go through ten beats, and out of those ten, maybe one of them is hot, at least to me. What comes out of this office is passion, sweat, tears, blood; we are brothers, so we fight. When it comes out of here, it’s a whole package. When we are done, we want to make sure we have put out a complete artist.

What do you want people to hear in that music?

The difference. You should be able to know the ODRT sound. It will be different from the rest. The quality of the music; the levels, the clarity, and just the way it is arranged. You will be able to know the difference.

Tell me about the artist under the ODRT umbrella.

PC and the AVG Boys. R&B Singer Devante; we pretty much do 100% of his tracks. We have done stuff with Kronic Soljha, K-Matic, the Lootme camp. Swiss Da Rockstar. Rozay Rell. Hust Mack. Lump G. NFL Cartel.

What do you look for in an artist to make them worthy to work with ODRT?

I am kind of a stickler. What I look for is someone that going to dedicate themselves to this more than ME. And that is hard.

Example?

Let’s say I give you a four track demo. By the time I have track two done, that artist should be well ready for a photo shoot, and a press kit, and a lot of people don’t know what that is. ODRT is pretty much myself, Ken, Claude and PC. We all work on giving something to you. Your effort needs to be 150 with us.

Best performance by one of your artist?

Devante. Recently, we brought in Dorrrough and Devante really did his thing there.

Worst performance?

(Laughing) You want me to have friends? The worst performance? Let me put it like this. If you don’t want to perform in front of three people, you did badly to me. Cause if it was three HUNDRED people, you would be rocking it. I think three that deserves the same as three hundred. Is that fair?

What in your mind is good about the music scene in this area?

The good thing is there is a hip hop crowd. That is probably the best I can say about it.

Negatives?

I think the way we study our craft and work on it needs to be improved. Anyone can get on a microphone and just rap, or just sing. But actually putting together a hit… that is another story. You need to have arrangements, change ups, and not trying to cluttering a song. Not a lot of people in this area are doing that. Everybody is just rapping to get a girl or something like that. It’s not 100% art.

One artist, alive or dead, you would want to do a song with.

Kanye.  I want to get in his head and see how he arranges things.

You are making a mix tape of your all time favorite songs. What is the first song on it and

 why?

#1 song would be a song I made called “Dem boys don’t play.” The beat of that song took me to a different level and let me know I can do this.

What was your first concert?

MC Hammer and Janet Jackson. Palace of Auburn Hills in Michigan.

What would you tell someone aspiring to sit in your seat?

Study your craft, and every year, you should have worked on something that you know is your weakness. Every year, I shut down for two months, and listen to all my tracks, and figure out what I need to do better. It’s something I do on my own, cause I know where I want to go. 

 

R&B Singer Devone Doss

I found Devone Doss for our interview doing what he does best: Writing.

The Peoria, IL native and R&B singer, who recently earned his degree in Digital Media Technology from Northeast Wisconsin Technical College, was sitting at his computer, working on brand new music when I sat down to talk to him. It was just a music track, but the track fit Doss to a tee: smooth &B with just a slight hip hop edge.

With hits like ‘I Need You’ and ‘Friday Night’, Doss gives live to a genre of music that at times is overshadowed in Wisconsin by hip-hop. His writing and his delivery harkens back to a time of soulful crooners such as Marvin Gaye and Donnie Hathaway, who incidentally are two of his musical influences.

What also sets Doss apart from other acts is his believability. When he writes, you feel what he is saying. You understand where he is coming from, because he is coming from a believable place. He has been through it all, and has come out on the other side a better man, and subsequently, a better songwriter.

              

                What do you want people to hear in YOUR music?

In my music, I want you to be able to feel everything I went through. I want you to be able to understand and just know that you can make it through any type of situation. The best writers are those that have gone through some adversity in life. You can’t just pick up a microphone and start singing, or even rapping for that matter. It has to make sense.

 When did you fall in love with music?

I was seven years old and I was listening to a lot of women singers. That is how I learned how to sing. I listened to Patti LeBelle, Chaka Khan, and a lot of gospel female artists. I would listen to their voices because I loved the vocal tricks they could do. One day, Stevie Wonder sang “Rocket Love” and my voice fit.

Who are your musical influences?

Stevie Wonder, Donny Hathaway, Marvin Gaye, Michael McDonald, Commissioned.

Describe your music.

My music is fun, its feel good music, its love, it’s me.

You are making a mix tape of your all time favorite songs. What is the FIRST song on it and why?

IT would start out with Commissioned, ‘No more loneliness’. The first line goes: Lord I don't wanna be lonely, though I know you love me and you still care, I must confess that nevertheless, there is loneliness. (laughs). My goodness. Just a great line.

Best performance you ever gave.

1992; I opened up for EPMD, Father MC, Gang Starr, and Chubb Rock at Peoria Civic Center. I was with my dance group, called the Mercedes Boyz, and I performed in front of 12,000 people. That let me know that I could do better.

Was that the biggest crowd you ever performed in front of?

No, the biggest was about 17,000 at the Danville, IL Civic Center.

Worst performance you ever gave.

I got booed of stage in my hometown. That right their pushed me to do better. There is a saying in Peoria. ‘If you can’t make it in Peoria, you can’t make it anywhere.’ Peoria is like playing the Apollo in New York. They are VERY critical. I was dancing.

When did you starting SINGING in front of crowds?

I started really singing when I turned 19. From then on, it’s been real cool. I have been REALLY doing it.

What are the good things, in your mind, about the music scene in this area?

It’s easy to get seen. You can do a show anywhere in Green Bay or the Fox Valley. It might be a little bar, or a small function, but you can be seen. But the buck stops there.

What are some of the things that could be improved?

There is no togetherness; your either hip-hop or you’re not. There is not strong r&b presence. There is no professionalism in this area whatsoever. You will find that maybe 1 out of 10 are professional. And that is where it stops. A lot of artists need to realize that it is about rehearsal. Your performances have got to be A-1. All over the place. Every time you open your mouth.

What would you do to fix the local scene?

I would take one act from ALL the camps and make ONE labels with all the great artists up here. Ya’ll ain’t got to like each other; you just need to work together. This is a business.

What do you do when you know YOU are going to bring it, but the guy in front of you isn’t as good? Doesn’t that hurt you as well?

No. You always perform to the best of your abilities. It doesn’t matter if it’s one person, one thousand, or two thousand people.

One song that describes your life.

“Never Would Have Made it” or “Saw the Best in me”, both by Marvin Sapp. I kinda lived my life backwards. I went from doing tours and opening up shows for national artists to being homeless, going to jail, went to prison, abusive step-father, to graduating from College to furthering my life. No matter what I did, God still saw the best in me.

            One artist alive or dead, that you would want to do a song with?

Donny Hathaway.

What was your first concert?

Troop, as a dancer, as a singer, it was 112.

            What have you seen change in music since you started?

They took the fun out of music at the labels. Period. For example. If you fired the General Manager from the Packers right now, and replaced him with the General Manager from McDonalds, how do you think he will do? He will fail. Same concept. If you take people that have been in the game for years, and been successful, like Russell Simmons, THOSE are the cats that are no longer a part of any labels. It’s all about MONEY now, not artist development. They want to hit with what’s hot right now, instead of trying to develop artists. There is no substance in Music now. No Depth. You put Soulja Boy against Common. That is not even a competition. The game as we know it is over.

            What would you do to change it?

I would fire ALL the head reps right now. Fire them all. (R&B singer) JOE released his last album on his own. Almost like selling it out of his trunk. The album is incredible. But, big time artists are doing it on their own, because the labels don’t care about the MUSIC; they care about the bottom line. The labels have their own agenda. They want to take advantage of you. As soon as you open your mouth, they are looking at a plan to get you. And a lot of the artists today want to do it on their own, but they don’t know how. That is where learning about the business comes in.